What? No big deal, I'm just blogging again.
We don't really know specific dates, but this summer marked the 200th anniversary of Mary Godwin (later Mary Shelley) first creating science fiction and horror as we know them, in the form of Frankenstein. The first version of the book was published in subsequent years, and then underwent constant transformation in its text, meaning, and unstoppable adaptation. I'm going to experience a lot of the best Frankenstein-related media ever, and have decided to start the blogging with a quick mention of the show that inspired me to do so.
Professor Brian Cox and Comedian Robin Ince have, for a few years now, hosted a BBC radio show about science. Frequently, they also discuss popular culture. Their penultimate show addresses the Frankenstein anniversary.
I came into this show completely fresh, knowing only basic cultural-osmosis stuff about the story and its creation, so I really appreciated the deep dive into both Godwin's influences and creative process, and the science inherent in the story. I always like it when knowledgeable people discuss their field of inquiry as it appears in art. Hearing a biologist discuss exactly how impossible the reanimation process would be was great fun for me.
The panelists also pointed out that the original text of the book was much more pro-science, so that's the version I'll be reading soon, and presumably blogging about soon thereafter.
Finally, my favorite spooky TV goth, Noel Fielding, had the chance to discuss science, magic, and monsters, and tell a few off-color jokes.
If you have any interest in science or horror at all, the radio show is well worth a listen. The show-specific link up there will (as of this writing, at least -- I can't say how long it will be available) let you listen to the edited radio version, a tight 30 minutes. BUT! They also release an extended podcast, with at least 50% more goodness, and that's what I recommend. You can (as of this writing) get the extended podcast version on iTunes here, or listen at this link.
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