I do like Joel's props in this short, where he holds up Batman-style words like "Biff" and "Pow," during the obligatory fistfight. (For a civilization with advanced radar guns, the moonmen sure do suffer a lot of fistfights.)
And during the second title sequence, they're so sick of writing credit gags they come up with a theme song for Cody, sung vaguely toward the tune of the underscore. This became a MST staple, and the first one is good right off the bat.(Did I mention how much I love to hear Tom sing?)
And speaking of firsts, this also hears our first mention of "Slowly I turned..."
I'm so glad this is my last taste of Cody for now. (Until, that is, Shout! Factory decides to put out a bonus disc with the complete Commando Cody adventures. No reason not to, since the films are public domain.)
On the other hand, Cody is just dull and silly, and he doesn't make my skin crawl. The movie this week, though, wow. It's supposedly based on a story by Robert Heinlein, back before he thought even a little bit about women and sexism (even his later, more nuanced things aren't particularly great on that front).
I feel all icky after this one, watching a supposedly-professional woman cower at danger (she's a colonel for god's sake!). We also have to see her commanding officer threaten to spank her. Then she's married off to some meathead so America's morals won't be threatened by two grown adults shacking up on the moon. It's all so demeaning, and even the final twist (the president is -- get this! -- a WOMAN!!!!) is more a tasteless joke than forward-thinking futurism.
Let's try to move on. The so-called plot of this one is that dirty commies are trying to destroy America's space station, so they kidnap a scientist, and replace him with a double. The intrigue feels paper-thin, and the plot falls prey almost immediately to that old gag where the spy doesn't care about his "local" baseball team. (In this case, it's the 1970 Brooklyn Dodgers - "Oh, this is the future when they sold the Dodgers back to Brooklyn.")
The movie wants to be a serious, hard-science film. But it spends too much time on silly spy plots and cliche romance, and doesn't even bother to pretend that the models demonstrated early in the film aren't being used for the miniature shots a few minutes later.
This episode is dedicated to the memory of Alan Hale Jr. (who died just four days before it aired), who would show up in two later episodes, Angels' Revenge and The Giant Spider Invasion. (I'm not watching either of them this year, but Spider Invasion is the grimiest, ickiest film I'd ever seen on MST until this one.)
Bonus feature alert: There's a nice interview with Jeff Stonehouse, who was the show's DP for 3 seasons and a movie. I'm not sure why that bonus is on this disk (in fact, this box was all Joel eps, and Jeff wasn't there during Joel's years), but it's a nice brief memory of his time on the show. He was there during the great lighting-change in season 7 or so (when all of a sudden, lighting got a lot more important, and a lot more colorful). I've seen and heard a lot of interviews with the cast and crew before, but I don't remember hearing from Jeff before, and it's nice to add his voice to the history.
A reference I just don't get (write in if you know it): "This thing's full of candy! Watch what I can do with it."
A joke that didn't age well: "I see a thousand points of light."
A joke I had to look up: "Ooh, radishes." (Apparently they cause gas, which I did NOT know. Lots of flatulence jokes in this one.)
My favorite bit is the run of model jokes: "Space station," "Or, frisbee."
Odds I'll watch this again: 1/10. I feel bad as a male, a sci-fi fan, and a human being having to watch this one.
Overall, I rate this 3/10. The riffing is pretty fast and solid, but there are oh so many episodes without the ick factor.
Up next is #112, Untamed Youth.
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