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| Don't get your hopes up. |
Our movie this time is a tiresome fantasy slog, based (loosely) on a notoriously misogynistic series of fantasy novels. And it's a sequel to something. Tarl Cabot (sure, that's believable as the name of a mid-80s American college professor) is a fella from Earth who found himself drawn to another planet, where he had some kind of adventures, though the flashbacks don't tell us much at all. It doesn't matter though, since he's quickly pulled back (along with an irritating sidekick character). And immediately, he has to save the kingdom from evil.
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| Jack Palance, showing the depths he fell to before City Slickers. |
An ambitious woman has seduced the kind, beloved king (whose daughter is Cabot's true love). A priest-king (why would anyone cast Palance as a religious leader??) is colluding with her to overthrow the king, take over the kingdom, and undo all the progressive freedom and justice and stuff. (Nope, no political sidebars from me today. You can write it yourself -- seems pretty obvious.)
Cabot's earthman sidekick betrays him at the first scent of sex, the queen murders the king and frames Cabot, and the princess is imprisoned. Oh, and we see a LOT of body parts. Like, a lot. Thighs and calves, buttcheeks and sideboobs, and plenty of greasy oily sweat. In the end, Cabot is spurred into action by the queen's slaving policies, and manages to defeat her, marrying his princess and becoming king. (It seems the original novels took a different approach to slavery, and spent a lot of time on pretty backwards gender relations. The DVD bonus features include a short documentary about the original novels [they were written by an American college professor -- wishful thinking much?], along with the revelation that this film was shot in South Africa, during Apartheid. Ick, double ick, and damn humanity in general.)
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| Big, buttery slabs of Fabio! (feat. Crow's Leno chin) |
It's my first Mike episode of the binge (his seventh as host overall), and he's already in full-flow. The episode first shows him rough-housing with Tom and Crow (and, naturally, it ends badly.). This episode's "invention exchange" is one in name only, since Mike and the bots are presenting Fabio kits. Clay and Frank present a totally-real time machine. This would be the final invention exchange, and I'm kind of glad they decided to abandon the concept. Mike wasn't that maker guy; he was a song-writing guy. And boy, does this episode have a great song. "Tubular, Boobular Joy" is a masterpiece of pop-novelty music-craft, properly beloved in the fandom.
The quality of the riffs is pretty indistinguishable from my last Joel episode. The obscurest riffs are slightly less avant-garde and slightly more 70s TV, but that's a first, unscientific impression, so take it with a grain of salt. There were an awful lot of jokes I wanted to specifically mention here, so here's just a few:
- "It's time for The Brutal Gourmet."
- "Here you go, Socrates."
- "Honey, I shrunk the Nelson."
- "He dislocated his mandible!"
This is my second episode to mention: Dilly Bars, Cosmo, Marlene Deitrich, a song by The Who, Cliffhanger, The Lambada, and "Sampo!" It's the third in a row to mention Jethro Tull, and the third out of the last four to reference Mr. Ed. Four out of my last five have mentioned The Mary Tyler Moore Show, and five out of the last seven referenced Indiana Jones (both now retired).
A joke I had to look up: "Joe Namath!"
A joke that didn't age well: "Kathie Lee had her baby." (Honorable mention: the reference to Ted Danson's notorious blackface appearance.)
My favorite joke: "This is the life." "For you maybe, not for the women."
Overall, I rate this one 6/10. The movie has a lot of things happen, but it's just so dull. I can't fault the in-theater riffs, but (song notwithstanding) the host segments aren't perfect.
Up next, it's #523, Village of the Giants.
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